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CuratorLove
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Books
Mercado
Public Art
Gallery
Museum
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
CuratorLove
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Books
Mercado
Public Art
Gallery
Museum
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
Folder: Theory
Back
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Folder: Curatorial
Back
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Folder: Projects
Back
Books
Mercado
Public Art
Gallery
Museum
Folder: About
Back
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
Store › Political Art Action

Political Art Action

$30.00

Political Art Action: Aesthetics of Undocumentedness

This publication is an artisanal limited edition, hand-bound risograph.

Omar Pimienta’s political art action Consulado Móvil simultaneously serves as an analogy, an allegory, a symbol, and an accusation that authenticates undocumented bodies, giving a voice to immigrant narratives while problematizing naturalization and citizenship. Citizenship is more complex than a dichotomous ideology that creates two groups of individuals who live in direct opposition: those with the legal privilege to partake in the social contract of a nation and those not allowed to do so legally.

Author: Erika Hirugami, MA. MAAB. MPhil.

Artwork: Omar Pimienta, Ph.D.

Impronta Editorial

Political Art Action: Aesthetics of Undocumentedness

This publication is an artisanal limited edition, hand-bound risograph.

Omar Pimienta’s political art action Consulado Móvil simultaneously serves as an analogy, an allegory, a symbol, and an accusation that authenticates undocumented bodies, giving a voice to immigrant narratives while problematizing naturalization and citizenship. Citizenship is more complex than a dichotomous ideology that creates two groups of individuals who live in direct opposition: those with the legal privilege to partake in the social contract of a nation and those not allowed to do so legally.

Author: Erika Hirugami, MA. MAAB. MPhil.

Artwork: Omar Pimienta, Ph.D.

Impronta Editorial

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Erika Hirugami

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Empowering intergenerational UNDOC+ immigrant, migrant, refugee, exilee, DACAmented creatives to thrive via theory, the curatorial, symposia, policy reports, publications, public art, and more.