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CuratorLove
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Books
Mercado
Public Art
Gallery
Museum
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
CuratorLove
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Books
Mercado
Public Art
Gallery
Museum
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
Folder: Theory
Back
(in)visibility • Fowler Museum
Political Art Action • Impronta
Weaving the Aesthetics of Undocumentedness • LASA
Aesthetic Curanderismo • Intervenxions x Latinx Projects
Sacred Migrations: Gestating the Border • USLAF
In cuacualtzin ihcuac ahmo mopia • MOCA VA
Intersections: New Grammars of the X • LASA
Navigating Change in Museums • ASU x LACMA
Undoc+ Symposium • UVA
Estética... indigenización y emigraciones • FEMSA x MARCO
Various Public Lectures
Folder: Curatorial
Back
Undocurated
Foto SoCal • Constellation of Exhibitions
Concrete Hope | Esperanza Concreta
The People's Beach: Aydinaneth Ortiz
Nurturing Masculinities: Juan Manuel Valenzuela
Fuego Eterno: Soberanías Visuales
Queerteñx: Trans Fronterizes, Cuir Transnationalism
Recordar | Anhelar: Aesthetics of Undocumentedness
Migratory Land Knowledges
Entre Nos • 우리는 서로 • Sa’tin – sa’tin lang • Amongst Ourselves
Pertenecer | Encarnar: Aesthetics of Undocumentedness
Undocumentedness: An Ecology of Dancing Fences
Folder: Projects
Back
Books
Mercado
Public Art
Gallery
Museum
Folder: About
Back
Erika Hirugami
Hirugami x Hyperallergic
UCLA Magazine
media features
Store › Queerteñx

Queerteñx

$50.00

Queerteñx: Trans Fronterizes / Cuir Transnationalism

Bilingual Exhibition Catalog • English/Spanish

Queerteñx is intimately tied to the México/United States border aesthetically, historically, geographically, symbolically, visually, and conceptually. In this exhibition, the aesthetic achievements of José Villalobos and Salvador de la Torre converge to theoretically queer citizenship and problematize machismo from a queer/trans axis —nepantleando in diaspora— where queer is a site of infinite possibility. Visually articulated throughout this exhibition is an aesthetic provocation upon machismo, heteropatriarchy, and cis-supremacy that challenges inherent social value through Queerteñx culture.

By Erika Hirugami, MA. MAAB.

Cover Photograph by María Evelyn Romero Gomez

Queerteñx: Trans Fronterizes / Cuir Transnationalism

Bilingual Exhibition Catalog • English/Spanish

Queerteñx is intimately tied to the México/United States border aesthetically, historically, geographically, symbolically, visually, and conceptually. In this exhibition, the aesthetic achievements of José Villalobos and Salvador de la Torre converge to theoretically queer citizenship and problematize machismo from a queer/trans axis —nepantleando in diaspora— where queer is a site of infinite possibility. Visually articulated throughout this exhibition is an aesthetic provocation upon machismo, heteropatriarchy, and cis-supremacy that challenges inherent social value through Queerteñx culture.

By Erika Hirugami, MA. MAAB.

Cover Photograph by María Evelyn Romero Gomez

CuratorLove

1001 Gayley Ave, Suite 24012

Los Angeles, CA 90024

CuratorLove@gmail.com • 424.253.6179

EST 2015

Erika Hirugami

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Empowering intergenerational UNDOC+ immigrant, migrant, refugee, exilee, DACAmented creatives to thrive via theory, the curatorial, symposia, policy reports, publications, public art, and more.